As you must know by now, the ceremony was deemed sexist,
racist and offensive by a lot of people.
For the most part, it was.
I’m loath to join the "can’t take a joke" bandwagon. What
offends me the most is that Seth McFarlane’s humor was petty and mean spirited.
It was vulgar, lowly TV humor, rather than something fit for the ocassion. He
tried to be too Hollywood with snide, unfunny inside jokes. As Captain Kirk
said, intending to be ironic, Tina
Fey and Amy Poehler should host everything. Ain’t that the emess.
When you watch a ceremony live, you
want to like what you are seeing. It takes a while for the smarm to sink in.
That was the case with that stupid boob song. The more I think about it, the more
inane and inappropriate it seems. That stupid bear talking shit about Jews was
immediately appalling and really unfit for an audience of billions (who
probably already believe in a Jewish conspiracy anyway). Using a little girl to joke about George Clooney's sex life, sleazy.
There were some highlights. Mostly provided by women.
I know I have tirelessly campaigned for the excision of
musical numbers from the show, but Shirley Bassey belting Goldfinger was one of the greatest highlights of all time. So was the inimitable
Babs singing The Way We Were and looking younger by the minute. The evening got off to a lovely start with Charlize Theron
expertly dancing with Channing Tatum a la Ginger and Fred. These were the only moments
with class. The rest was humor devised and intended for that famous
demographic so coveted by Hollywood, 15 year-old males. At least the
suits got a taste of their own medicine.
For a four hour ceremony, there were too many irrelevant
moments. I love William Shatner, but he is beyond irrelevant. The Oscars are not about
TV, they are about the movies. But we
are in an age of small screens, so this is what we get. Smallness.
Chicago? Whatever the fuck? Utterly irrelevant.
The singing cast of Les
Miserables was a giant clusterfuck, just like that movie: a supernova of dreck.
The obits were the best part, as usual, but us Latinos
are extremely pissed that Lupe Ontiveros, the quintessential Latina maid, was
snubbed. We won’t forget.
There were some righteous wins. Anne Hathaway’s was not
one of them. But Ang Lee’s was, so was Tarantino’s, so was Amour, so was Jennifer Lawrence. The best supporting actor category
was a tough one, and Waltz was as right to get it as any of his peers. Daniel Day Lewis once again comported himself like the King of Class. He happens to have a sense of humor, plus nobody wears a tux like him.
If there was justice in the world, Beasts Of The Southern Wild was utterly ignored and so was Zero Dark Thirty. They are simply bad
movies. Is Argo a Best Picture? No. That award should have gone to either Django
Unchained or Amour, which is at
another level of artistry altogether. But well crafted, competent Argo won because
it is about Hollywood. They love nothing better than self-congratulation.
Jimmy Fallon would have been a delightful host. Michelle Obama dancing with Fallon to advocate against
obesity, ultra cool. The White House getting in bed with Hollywood in such an
overt fashion, reeks of starfucking from the Presidency and is totally tasteless, inappropriate and wrong. I’m secretly enjoying whatever fallout is happening in the White House over this ridiculous decision that got her, who has done no wrong so far, associated with a sexist, racist and offensive telecast.
Dress-wise: Jessica Chastain, Jennifer Lawrence and Robin
Roberts were stunning. Everybody
else looked like a chandelier from Vegas crashed on top of them.
See you next year.
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