Dec 13, 2009


I sneaked in, because I'll be damned if I pay to see a Clint Eastwood movie, and I want my money back. I want my time back. I want him to apologize to me for thinking that we the audience are a bunch of morons who will swallow this pompous, boring absurdity, that takes its plot from reality but has absolutely nothing to do with it.
Then, it is just a marvel of cognitive dissonance to read A.O. Scott's review. In the interest of time, will reproduce here what I wrote today in the comments section of the Times:

I fail to understand Mr. Scott's love affair (and the rest of American film critics) with the hack work of Clint Eastwood. The movie is boring, written as if by a schoolteacher talking to 7 year olds, the excellent Mr. Damon is wasted, and except for Morgan Freeman and Damon there is not one ounce of true, complex feeling in the entire thing. The dialogue is obvious and cringe inducing, the bit actors hammy and terrible, the whole thing directed with no subtlety, ugly photography, the pace excruciatingly repetitive and boring, the cheesy music, faux African and overwrought, the entire thing manages to be a disaster.
Had this same film been made by any other filmmaker, I bet Mr. Scott would be tearing it apart for the mediocre garbage it is.
I don't get it. I don't understand the blind spot, the adulation of this terrible hack.

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